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Comparison between Gwoyeu Romatzyh (top) and pinyin (bottom) for Gwoyeu Romatzyh's official name 國音字母第二式 ('Second Pattern of the National Alphabet'; middle)
Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese characters altogether—GR never achieved widespread use among the Chinese public, who generally lacked interest in the system or viewed it with hostility due to its complex spelling rules. In places where GR had gained traction, it was eventually replaced—largely by Hanyu Pinyin (or simply "pinyin"), which became the international standard during the 1980s, and itself follows principles originally introduced by GR. Widespread adoption of the system was also hindered by its narrow calibration to the Beijing dialect, during a period when China lacked the strong central government needed to impose use of a national spoken language. (Full article...)
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Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
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Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
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The Tiananmen Square self-immolation incident took place in Tiananmen Square in central Beijing, on the eve of Chinese New Year on 23 January 2001. There is controversy over the incident; Chinese government sources say that five members of Falun Gong, a new religious movement that is banned in mainland China, set themselves on fire in the square. Falun Gong sources disputed the accuracy of these portrayals, and claimed that their teachings explicitly forbid violence or suicide. Some journalists have claimed that the self-immolations were staged.
According to Chinese state media, a group of seven people had travelled to Beijing from Henan province, and five set themselves on fire on Tiananmen Square. In the Chinese press, the event was used as proof of the dangers of Falun Gong, and was used to legitimise the government's campaign against the group. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
... that although the Jesuit missionary He Tianzhang despised his "sad Chinese appearance", it allowed him to circumvent the Qing's ban on Christianity and enter China?
... that the China Folk House Retreat dismantled a Chinese folk house and rebuilt it in West Virginia?
... that Canadian pentathlon champion J. Howard Crocker introduced volleyball to China?
... that, according to his family, Ye Yanlan was compelled to leave government service after speaking Cantonese in front of the emperor of China?
... that Matthew Tye uploaded a YouTube video about leaving China after hearing that members of the local public security bureau had shown his photograph in bars frequented by foreigners?
....that in China, access to water supply and sanitation varies greatly between rural areas, where only 67% of the population has access to improved water supply, and cities, where 93% does?
Jiangsu cuisine (simplified Chinese: 江苏菜; traditional Chinese: 江蘇菜; pinyin: Jiāngsū cài), also known as Su cuisine (simplified Chinese: 苏菜; traditional Chinese: 蘇菜; pinyin: Sū cài), is one of the Eight Culinary Traditions of Chinese cuisine. It is derived from the native cooking styles of Jiangsu Province. In general, Jiangsu cuisine's texture is characterized as soft, but not to the point of mushy or falling apart. In addition, Jiangsu cuisine also focuses on heating temperature. For example, the meat tastes quite soft but would not separate from the bone when picked up. As the style of Jiangsu cuisine is typically practised near the sea, fish is a very common ingredient in cooking. Other characteristics include the strict selection of ingredients according to the seasons, with emphasis on the matching color and shape of each dish and using soup to improve flavor. The municipality of Shanghai was formerly a part of Jiangsu thus the great deal of similarity between the two, and Shanghai cuisine is sometimes classified as a part of Jiangsu cuisine. (Full article...)
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A gilded bronze oil lamp in the shape of a female servant, dated 2nd century BCE, found in the tomb of Dou Wan, wife to the Han prince Liu Sheng (d. 113 BCE); its sliding shutter allows for adjustments in the direction and brightness of light while it also traps smoke within the body, an anti-pollutant design.The Han dynasty (206 BCE – 220 CE) of early imperial China, divided between the eras of Western Han (206 BCE – 9 CE, when the capital was at Chang'an), the Xin dynasty of Wang Mang (r. 9–23 CE), and Eastern Han (25–220 CE, when the capital was at Luoyang, and after 196 CE at Xuchang), witnessed some of the most significant advancements in premodern Chinese science and technology.
There were great innovations in metallurgy. In addition to Zhou-era China's (c. 1046 – 256 BCE) previous inventions of the blast furnace and cupola furnace to make pig iron and cast iron, respectively, the Han period saw the development of steel and wrought iron by use of the finery forge and puddling process. With the drilling of deep boreholes into the earth, the Chinese used not only derricks to lift brine up to the surface to be boiled into salt, but also set up bamboo-crafted pipeline transport systems which brought natural gas as fuel to the furnaces. Smelting techniques were enhanced with inventions such as the waterwheel-powered bellows; the resulting widespread distribution of iron tools facilitated the growth of agriculture. For tilling the soil and planting straight rows of crops, the improved heavy-moldboard plough with three iron plowshares and sturdy multiple-tube iron seed drill were invented in the Han, which greatly enhanced production yields and thus sustained population growth. The method of supplying irrigation ditches with water was improved with the invention of the mechanical chain pump powered by the rotation of a waterwheel or draft animals, which could transport irrigation water up elevated terrains. The waterwheel was also used for operating trip hammers in pounding grain and in rotating the metal rings of the mechanical-driven astronomical armillary sphere representing the celestial sphere around the Earth. (Full article...)
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Typhoon Chanchu near peak intensity on May 14
Typhoon Chanchu, known in the Philippines as Typhoon Caloy, was the most intense typhoon in the South China Sea in the month of May according to the Hong Kong Observatory (HKO). The first named storm of the 2006 Pacific typhoon season, Chanchu formed on May 8 in the vicinity of the Federated States of Micronesia and progressed westward. It gradually intensified into a tropical storm and later severe tropical storm before moving through the Philippines. On May 13, Chanchu entered the South China Sea and became a typhoon, according to the Japan Meteorological Agency (JMA). Warm waters and favorable outflow allowed the storm to quickly intensify to peak maximum sustained winds of 175 km/h (109 mph) on May 15. Around that time, the typhoon turned sharply to the north toward southeastern China. Chanchu weakened as it curved to the northeast, making landfall near Shantou, Guangdong on May 17 as a severe tropical storm. The government of China considered Chanchu the earliest typhoon to make landfall in the province. On the next day, the storm emerged into the East China Sea, becoming extratropical on May 19 before dissipating west of Kyushu.
Early in its duration, Chanchu moved through the Philippines, causing power outages and landslides in several islands. Despite a general warning against small boats sailing, a ferry departed Masbate and capsized due to the storm, killing 28 people. Throughout the country, 41 people died, and damage reached ₱117.57 million (PHP, US$2.15 million). While in the South China Sea, Chanchu caught many Vietnamese fisherman off guard, causing 17 ships to sink and damaging several others. Chinese ships assisted in the search-and-rescue mission, ultimately rescuing 330 fishermen from 22 boats; however, 21 bodies were found, and the remaining 220 missing were presumed killed. In southern China, flooding and strong winds from Chanchu wrecked about 14,000 houses and damaged over 190,000 ha (470,000 acres) of crop fields. Damage was heaviest in Shantou where it moved ashore, with flooding covering roads and entering hundreds of homes. Damage in China totaled ¥7 billion yuan (RMB, US$872 million), and there were 23 deaths. Rains from the typhoon killed two people in Taiwan after sweeping them up in a river, and crop damage there reached NT$158.88 million (NTD, US$5 million). Later, high waves killed one person in Okinawa and left another person missing, while rains extended into South Korea. (Full article...)
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The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
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Xu Shunshou at graduation from Tsinghua University (1937)
Xu Shunshou (Chinese: 徐舜寿; pinyin: Xú Shùnshòu; Wade–Giles: Hsü Shun-shou; 21 August 1917 – 6 January 1968) was a Chinese aircraft designer and a founder of the aircraft manufacturing industry in the People's Republic of China. He was the founding director of the PRC's first aircraft design organization (later the Shenyang Aircraft Design Institute), where he oversaw the development of the Shenyang JJ-1, the first jet aircraft designed in China. He trained many of the country's top aircraft designers and also participated in the design of the Nanchang CJ-6 trainer, the Nanchang Q-5 jet attack aircraft, and the Xian H-6 bomber. He was severely persecuted during the Cultural Revolution and died at the age of 50. (Full article...)
An investigation by Chinese authorities found that the plant lacked many major safety features and was severely below regulation benchmarks, with the direct cause of the accident being attributed to inappropriate use of substandard equipment. The investigation also concluded that the various other safety failings at the facility were contributing factors. The report criticised safety standards throughout the Chinese steel industry. (Full article...)
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The Third Battle of Seoul was a battle of the Korean War, which took place from December 31, 1950, to January 7, 1951, around the South Korean capital of Seoul. It is also known as the Chinese New Year's Offensive, the January–Fourth Retreat (Korean: 1·4 후퇴) or the Third Phase Campaign Western Sector (Chinese: 第三次战役西线; pinyin: Dì Sān Cì Zhàn Yì Xī Xiàn).
19th-century illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
"The Painted Skin" (Chinese: 畫皮; pinyin: Huàpí) is a short story by the Chinese writer Pu Songling collected in Strange Tales from a Chinese Studio in 1740. Literary critics have recognised it as one of the best and best-known entries in Strange Tales; in particular, its textual detail and in-depth characterisation are lauded. "The Painted Skin" has also received numerous adaptations in popular media, especially in film. The story's original title has become a common phrase in Chinese vocabulary, "a synonym for duplicity that wears an outwardly human face but is inwardly demonic".
Set in Shandong, the story revolves around a Chinese scholar, Wang, who becomes infatuated with a demon disguised as a beautiful young maiden. They develop a romantic relationship which goes awry after Wang discovers her true identity. Thereafter, a Taoist priest's skills are put to the task of exorcising the demon; a fight between good and evil ensues. (Full article...)
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The Yunnan hare (Lepus comus) is a medium-sized species of mammal in the family Leporidae. It has soft, flat, and long dorsal pelage which is grayish brown or dark gray in color, and whitish ventral pelage. It was considered endemic to China (mainly in Yunnan), but its presence was recorded in northern Myanmar in 2000. It is a herbivore, and forages on shrubs and forbs. It is rated as a species of least concern on the IUCN Red List of Endangered Species. The Red List of China's Vertebrates has listed the Yunnan hare as near threatened, almost meeting the criteria to be listed as vulnerable. (Full article...)
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Chinese dead on the approaches to the Hook, late July 1953
During the action, the PVA attempted to make a breakthrough to the Imjin River along the divisional boundary between the US 1st Marine Division and the 1st Commonwealth Division to turn the 1st Marine Division's flank. Yet with well-coordinated indirect fire from the divisional artillery, including the 16th Field Regiment, Royal New Zealand Artillery, and support from British Centurion tanks of the 1st Royal Tank Regiment, 2 RAR successfully thwarted both assaults, holding the Hook. UN sources estimated PVA casualties at 2,000 to 3,000 killed, with the majority of them inflicted by the New Zealand gunners. Meanwhile, on the left flank, US Marines endured the brunt of the attack, repelling the PVA onslaught with infantry and artillery. Only a few hours later, the armistice agreement was signed, ultimately ending the war. Both sides subsequently withdrew 2 kilometres (1.2 mi) within 72 hours to create the 4-kilometre (2.5 mi) Korean Demilitarised Zone. (Full article...)
The dynasty rose from the consolidation of power among the Khitans in the 8th century and their expansionist campaigns in the latter half of the 9th century. Eventually the Yila chieftain, Abaoji, became the leader of the Khitans and proclaimed a Chinese-style dynastic state in 916. The Liao dynasty launched multiple military campaigns against neighboring states and peoples including the Kumo Xi, Shiwei, Tatars, Zubu, Khongirad, Balhae, Goryeo, Later Tang, and the Song dynasty. Its conquests include the Sixteen Prefectures (including present-day Beijing and part of Hebei) by fueling a proxy war that led to the collapse of the Later Tang (923–936). In 1004, the Liao launched an expedition against the Northern Song dynasty. After heavy fighting and large casualties between the two empires, both sides worked out the Chanyuan Treaty. Through the treaty, the Liao forced the Northern Song to recognize them as peers and heralded an era of peace and stability between the two powers that lasted approximately 120 years. It was the first state to control all of Manchuria. (Full article...)
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Title page of a Song dynasty (c. 1100) edition of the I Ching
The I Ching or Yijing (Chinese: 易經, Mandarin:[î tɕíŋ]ⓘ), usually translated Book of Changes or Classic of Changes, is an ancient Chinese divination text that is among the oldest of the Chinese classics. The I Ching was originally a divination manual in the Western Zhou period (1000–750 BC). Over the course of the Warring States and early imperial periods (500–200 BC), it transformed into a cosmological text with a series of philosophical commentaries known as the Ten Wings. After becoming part of the Chinese Five Classics in the 2nd century BC, the I Ching was the basis for divination practice for centuries across the Far East and was the subject of scholarly commentary. Between the 18th and 20th centuries, it took on an influential role in Western understanding of East Asian philosophical thought.[1] As a divination text, the I Ching is used for a Chinese form of cleromancy known as I Ching divination in which bundles of yarrow stalks are manipulated to produce sets of six apparently random numbers ranging from 6 to 9. Each of the 64 possible sets corresponds to a hexagram, which can be looked up in the I Ching. The hexagrams are arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching has been discussed and debated over the centuries. Many commentators have used the book symbolically, often to provide guidance for moral decision-making, as informed by Confucianism, Taoism and Buddhism. The hexagrams themselves have often acquired cosmological significance and been paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing. (Full article...)
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Ruyijun zhuan (如意君傳), translated into English as The Lord of Perfect Satisfaction, is a Chinese erotic novella written in the Ming dynasty by an unknown author. Set in the Tang dynasty, it follows the political career and love life of Empress Wu Zetian. One of the earliest erotic novels published in China, it was repeatedly banned after its publication. (Full article...)
Ma was an authority on ancient Chinese bronzes and published more than 80 books and academic papers, including a 16-volume encyclopedia of the bronzes. He was responsible for recovering ancient relics including the Jin Hou Su Bianzhong and Warring States periodbamboo strips, which are now considered China's national treasures. (Full article...)
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Fernão Pires de Andrade (also spelled as Fernão Peres de Andrade; in contemporary sources, Fernam (Fernã) Perez Dandrade) (d. 1552) was a Portuguese merchant, pharmacist, and diplomat who worked under the explorer and colonial administrator Afonso de Albuquerque. His encounter with Ming China in 1517—after initial contacts by Jorge Álvares and Rafael Perestrello in 1513 and 1516, respectively—marked the resumption of direct European commercial and diplomatic contact with China. (Even though there were Europeans in Medieval China, notably Marco Polo, that period of contact had been interrupted by the fall of the Yuan dynasty.)
Although de Andrade's mission was initially a success that allowed a Portuguese embassy to proceed all the way to Beijing, relations were soon spoiled by culminating events that led to an extremely negative impression of the Portuguese in China. This included acts of his brother Simão that enraged the Chinese, false reports of the Portuguese being cannibals of kidnapped Chinese children and true reports of their conquest of Malacca, a loyal Ming tributary state. Normalized trade and relations between Portugal and the Ming dynasty would not resume until the late 1540s and the 1557 establishment of Portuguese rule over Macau. (Full article...)
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Shu Xiuwen in the 1940s
Shu Xiuwen (1915– 17March 1969), also romanized as Shu Hsiu-wen, was a Chinese film and stage actress, as well as the first voice actress in China. She grew up in poverty but made a name for herself in the drama and film industry of Shanghai before the Second Sino-Japanese War, and then in the wartime capital Chongqing. She starred in numerous films and stage plays, including her most acclaimed film The Spring River Flows East, and was recognized as one of China's top four actresses.
1997 – After nearly 18 years of incarceration, the People's Republic of China releases Wei Jingsheng, a pro-democracy dissident, from jail for medical reasons.
Image 18Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 32Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 45Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 58Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
President Bongbong Marcos signs into law the Maritime Zones Act and the Archipelagic Sea Lanes Act which defines the maritime entitlements of the Philippines and set designated sea lanes and air routes. China protests against the laws which is linked to territorial disputes in the South China Sea. (Reuters)(Nikkei Asia)
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National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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